Michel Jocaille is a child of Cultural Studies. He studied at the École Supérieure d'Art du Nord-Pas de Calais in Tourcoing before moving to Paris. His work borrows as much from popular culture - with references from reality TV for example - as from the "legitimate" knowledge represented by authors such as George Bataille or Paul B. Preciado. The works that he produces testify to a formal and theoretical research aiming to blur the hierarchies between the discourses, to reverse the nomenclatures and the imaginary representations. Thus, through the sculptures, installations and digital photomontages that the artist creates, a re-examination of the referential and authoritarian systems that form the basis of identity constructions unfolds. Queer identity, claimed by those who refute the idea that their gender and sexual orientation are determined by their sex, is a central point in his practice. Her pieces take up, in the manner of drag queens, the codes associated with femininity. Playing on stereotypes and the conventions that stem from them, they embody a form of staging and grandiloquence.