Share this information:

Prize winner Carré Sur Seine 2022

Raphaëlle Bertran

Born in 1992 in Drancy
Instagram: https://www.instagram.com/r.brtrn/

class="lazyload

Artist profile

Raphaëlle Bertran

Born in 1992 in Drancy

LAUREATE CARRÉ SUR SEINE 2022

The prize Carré sur Seine 2022 was awarded to Raphaëlle Bertran "for the strength and balance invested in an analytical approach to painting that anchors the latter in a new narrative and demonstrates the power that can emanate from a work of research that weaves while remaining close to human intimacy ".

Raphaëlle Bertran constructs her paintings as narrative fragments, imprints where the intimate emerges as a stranger, an unknown presence or the absolute other, to the point of being frightening. Oil rubs shoulders with spray paint, angels rub shoulders with monsters, the sacred is stuck in the immanent. Chiseled figurines act in contrast to the informal space where they are located. A universe out of time and space takes shape and inevitably summons the world of today's disaster.

Raphaëlle Bertran is a graduate of the École des Beaux-Arts in Paris. Among her exhibitions: 100% L'EXPO at the Grande Halle de la Villette in Paris, Exhibition of the 25th Antoine Marin Painting Prize, Paris, Pleins Feu at La Chapelle de Clairefontaine. She is the winner of the Alberic Rocheron Painting Prize awarded by the French Academy in 2021.

LA CASA
- exhibition-event of the winners of the Prize Carré sur Seine, from February 3 to 24, 2023 -

A bit like the halos of light executed with spray paint on her canvases around her small characters, Raphaëlle Bertran's case tends to create, she says, "a mirror effect" between the viewer and the painting. The shadow of the horse lying on the canvas "Soleil Jaune Sale" joins the tones that she draws from a thought that Van Gogh shares with his brother on the yellow "soleil citron malade". As for the installation, it is bathed in a particular climate of ruins, with the overturned objects of the suitcase, suggested by the painted details of flowers and funeral steles.

Attached to the references of art history and the classical masters (Bosch, Goya, El Greco, Bruegel), Raphaëlle Bertran retains from them the atmospheric and fantastic dimension of their paintings which she then fixes on the scale of her existence, that of an artist of the 21st century. She obtains from this material fed with literary references, a pictorial climate which captivates the canvas like a cloud of gall consumed among characters - fireflies without attachment, crossing a history without denouement. The tragedy or the apocalypse of a world 2.0.

class="lazyload

Some samples

  1. Raphaëlle Bertran, Untitled, oil on canvas / spray can, 33x24cm, 2021, © Galerie LOFT
  2. Raphaëlle Bertran, We can't see the sun anymore, Oil on canvas / Spray can, 195x130cm, 2020 © Adele Onnillon
  3. Raphaëlle Bertran, Cemetery, Oil on canvas / Spray can, 230x230cm, 2022© Galerie LOFT

Subscribe to our newsletter

    We will process the personal data you have provided in accordance with our privacy policy.

    Share this information: